Bait.

Much lauded by the critics, this tale of a Cornish fishing village dealing with the decline of the traditional fishing industry and the influx of wealthy Londoners was shot on black and white 16mm film using a clockwork camera, with the sound dubbed in afterwards.

Kermode, Bradshaw and other critics fell over themselves to praise this debut from Mark Jenkin.

It was shíte.

I was rather pleased to read the two-word review of one disgrnutled cinema-goer: 'Baffling and odious.'

Never believe a film critic.