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Thread: They give birth astride of a grave. The lights gleams an instant, then it's night once more.

  1. #1

    They give birth astride of a grave. The lights gleams an instant, then it's night once more.

    Man that is born of a woman hath but a short time to live, and is full of misery. He cometh up, and is cut down, like a flower; he fleeth as it were a shadow, and never continueth in one stay.

    Then I'm dying at the bottom of a pit
    In the blazin' sun
    Torn and twisted
    At the foot of a burnin' bike
    And I think somebody somewhere
    Must be tolling a bell

    And the last thing I see
    Is my heart, still beatin'
    Breakin' out of my body
    And flyin' away
    Like a bat out of Hell

  2. #2

    Well this will never happen to you because you're too much of sissy to get on a bike anyway


  3. #3

    The bike here is a metaphor, h. It stands for all those things which constitute what the poet once

    described as 'The Price You Pay'; the burdens of being in this skin, in this place, trying to connect whilst remaining in the self.

    Either that or it's a Harley which has, predictably, failed to negotiate a mild bend in the road.

  4. #4

    Webster was much possessed by death / And saw the skull beneath the skin; / And breastless creatures

    under ground / Leaned backward with a lipless grin

    Nor dread nor hope attend
    A dying animal;
    A man awaits his end
    Dreading and hoping all;
    Many times he died,
    Many times rose again.
    A great man in his pride
    Confronting murderous men
    Casts derision upon
    Supersession of breath;
    He knows death to the bone --
    Man has created death.

    You know I'm born to lose
    And gambling's for fools
    But that's the way I like it baby
    I don't want to live forever

  5. #5

    Frown

    The kind old face, the egg-shaped head,
    The tie, discreetly loud,
    The loosely fitting shooting clothes,
    A closely fitting shroud.

    He liked old city dining rooms,
    Potatoes in their skin,
    But now his mouth is wide to let
    The London clay come in.

    He took me on long silent walks
    In country lanes when young.
    He knew the names of ev'ry bird
    But not the song it sung.

    And when he could not hear me speak
    He smiled and looked so wise
    That now I do not like to think
    Of maggots in his eyes.

    He liked the rain-washed Cornish air
    And smell of ploughed-up soil,
    He liked a landscape big and bare
    And painted it in oil.

    But least of all he liked that place
    Which hangs on Highgate Hill
    Of soaked Carrara-covered earth
    For Londoners to fill.

    He would have liked to say goodbye,
    Shake hands with many friends,
    In Highgate now his finger-bones
    Stick through his finger-ends.

    You, God, who treat him thus and thus,
    Say "Save his soul and pray."
    You ask me to believe You and
    I only see decay.

  6. #6

    use of metaphor in poetry shocker. Smile


  7. #7

    Razors pain you; Rivers are damp;

    Acid stains you;
    And drugs cause cramp.
    Guns aren't lawful;
    Nooses give;
    Gas smells awful;
    You might as well live.

  8. #8

    Alright now, that's emo girl poetry

    I mean, Betjemen was bad enough

  9. #9

    It's Dorothy Parker. Shrug

    I don't think Dorothy Parker was emo.

  10. #10

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